Paddling the Seas of Genealogy

All Great - Journal page

All Great - Journal page

Tracing my family history carries away time like seagulls at a beach-side picnic table.   Mostly, there’s only a crumb to be found for the time spent in researching, but each of those crumbs adds up to a small bite of the past.

I recently experienced the joy of connecting with a cousin I had no idea existed and, after initial contact via the Internet, met her in person.  The coincidences in our lives – places of residence, past and present, family birthdays, and family situations – had us shaking our heads in amazement.  She’s part of a different line of the family and had information I was keen for and vice versa, which we’ve happily shared.

My cousin embarked on the genealogy journey twenty years ago.  She did not have the ease of researching on the World Wide Web.  Whereas, apart from visits to a couple of cemeteries, to talk to the headstones of dead ancestors, I’ve done most of my research while sitting in front of the computer.  Resources abound in the virtual world, though finding the relevant information can be time-consuming and frustrating.

Entering names, dates and places into my family tree, I can’t help but marvel at the ways of the Universe.  Dates, both birth and departure from the past-present, repeat.  Towns and suburbs of residence repeat down through generations.  Both sides of my family contain gold-seeker ancestors.  And where have I chosen to live?  In an old gold-mining town, slap bang in the middle of the two major towns where my forebears lived,  searching for the illusive glitter of gold.  It makes me ponder the belief of reincarnation.

A recent discovery found me out at the local cemetery.  Having lived here for nearly two decades, this was the first I knew of a great uncle buried just out of town.  Standing at his graveside, I yearned for his ghost to appear.  Who was he, this man who worked with cyanide in the gold extraction process?  Did his career choice lead to what I’m guessing was a painful death, at the age of forty-eight, his stomach invaded by the deadly chemical?  Where in town did he live?  Why did he never marry?  Was there ever a love of his life?  And, why is he buried so far from his siblings and parents, interred with a good mate, another single man?  Was this man the love of his life?

No headstone marks the grave, merely a family name, not my family’s name, stamped into the weathered curbing that surrounds the plot.  The top of the grave is a crazy-paving of broken concrete, grass softening the ragged edges.  Buried some years before, my great uncle’s grave was opened for his friend to join him in the long sleep.

I’ve since discovered that a relative of the other family still lives in town.  I’m gathering my courage to knock on her door.

Despite the wealth of information available in the virtual world, there is still so much that can only be discovered by physical, rather than virtual research.  It’s time I let my legs instead of my fingers do the walking.

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Expectations Awash

Altered Book Spread - Colour Your Life

Colour Your Life Altered Book Spread

An artist friend and I decided to have a go at a local market stall, over the long weekend.  For the past weeks, I’ve been cramming in as much ‘creating’ as possible, in order to offer a selection for varying tastes and needs, in both writing resources and artful gifts.  By the time Saturday arrived, the eve of the market, the weather prognosis was lousy, to put it politely.

Friend and I ummed and aahed, wondering if the market would even go ahead.  It had been raining almost solidly for more than twenty-four hours, with nearby towns battling with flooded roads.  How many people, we wondered, were going to turn up to a Yabbie Festival during a deluge?  The yabbies would love it, but what about the humans?

A yabbie, for those unsure, is a type of small freshwater (usually, the muddier the better) crayfish or lobster.  After the long drought we’ve had, I wondered if there would be yabbies to be found, let alone families bringing kids to catch and race them in the famous Yabbie Cup.

Sunday morning dawned as grey and wet as a farm dog’s blanket.  However, after a call to the organiser, who assured me the weather was breaking an hour’s drive from home, we decided to risk it.  We were also guaranteed a place in the Town Hall, in the dry, should the weather deteriorate – as the weather bureau promised.

With so many events happening over the long weekend, we were pushing against the odds.  We should have known better.  Neither of us sold a single thing to any of the sparse stragglers that ventured into the Town Hall.

I couldn’t help wondering if there is a regulation for market traders, of which I’m unaware.  One that stipulates sitting behind the trestle, either peering suspiciously from beneath beetled eyebrows at anyone who dares approach, or appearing to be almost asleep with boredom.  Or is it something insidious and infectious that clings to the clothes of die-hard stall holders?  Whatever it was, I had to physically fight against being infected.

Lack of sales didn’t prevent me from having a fun day out.  Live music had me jigging and wiggling to old rock and roll numbers.  The Yabbie Kebabs were scrumptious.  The browsers’ smiles – some were embarrassed movements of lips while others bordered on lecherous versions of grins – made me smile.  Okay, so none of them bought a romance pack (you know, stimulating erotic reading matter, luscious love coupons and other tasteful novelties, to put some excitement back into your relationship).  But at least they smiled.  How good was that.

I’ve decided I need a market-ing outfit.  Or at least a market-ing hat.  Something colourful, bright, cheerful and perhaps a little outrageous, to let folk know that market-ing can be a fun experience for the market-ers as well as the market-ees.

Is the affectation of a couldn’t-care-less attitude for stall holders mandatory?  If so, there’s about to be a one-woman revolution.  Bring on the fun, I say!

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Perplexed About Priorities

Art Journal Page - Priorities

Art Journal Page - Priorities

So much for great intentions.  Having begun my new blog, I was determined to be regular with postings, but here it is, two weeks gone by without talking to myself, at least, on here.

My self-chatter can be troubling to others when they happen to be within hearing distance.  Family and friends who call in for a cuppa or a meal can end up quite frustrated with my motor-mouth meanderings, unsure whether I’m speaking to them or an appliance. Of course, it might also be the dog I’m directing comments at.  All in all, visits to Jenn’s Joint can be somewhat confusing, though rarely dull.

With fifteen things on the go at once, in various stages of development, not only is there my thinking aloud to contend with, but also the task of finding a place to sit.  What can I say?  I overflow – from office to studio, to dining room and living room.  Like an outpouring of lava, my creative projects ooze from flat surfaces, filling the nooks and crannies of my home, and my life.

Perhaps it has something to do with galloping age, but if I can’t see ‘it’, it very often gets swallowed up by some other more pressing priority.

Last weekend’s town-wide garage sale was the catalyst for a clearing-out.  Needless to say, in order to decide what to let go of, my home was the epitome of upheaval.  I’m not sure the days of rummaging and sorting, debating and deciding were actually worth the modest monetary gain.  However,  the spirit is definitely lighter, and will be even more so after a trip to the local op shop with recycled donations.

The day after the garage sale, I was straight into creating wares for a stall at the Talbot Yabbie Festival market, to be held during the upcoming Labour Day long weekend. There’s nothing like a tight deadline to get the creative juices flowing.  And to get me talking to myself!

The tasks on my mental to-do list are playing ping-pong, challenging each other for top priority.

There’s the supermarket to brave, the bin to bring in, the next spread to do in the new altered book, the mail to check, that story to rewrite, the feathered orphan to feed, felt to glue, the dog to worm, new ink cartridges to buy, a walk to take, washing to hang-

“We interrupt the play with a special announcement.  Would the brain-owner please attend to the hijacking of her hotmail account.  Your contacts will purchase Viagra in their own time, if and as needed, not because a bored nitwit in France is sending unsolicited emails, from your account.”

Great.  Just when Domestic Diva is about to whisk Mistress Muse from top billing, the newcomer, Email Eejit, shoulders them both out of the way and flings himself across the net.  No wonder priorities become confused.  No wonder I talk to myself!

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Creative Storms

Art Journal - Summer Storm

Art Journal - Summer Storm

There is something electrifying about a summer storm, apart from the obvious, when the backyard is a dust bowl and the water level in the fish pond drops by a couple of centimetres each day.

On my way home from an afternoon  of op-shopping and searching out art supplies, Mother Nature was working herself into a tizz, though I didn’t hold out much hope for my patch of dirt benefiting from the promised showers.  It seems the sky godddess very often has her umbrella up when the rain clouds come to my area.  Not this evening, though.  Perhaps she left her brolly on the bus.  It was like living in a waterfall.  Mesmerising, noisy and oh, so very exciting.

Since having the roof fixed, my only concern at the deluge is whether the fish are buried in the mulch beneath the oak tree, at the bottom of the hill.

I love the changing of the seasons.  By the time summer draws to an end, which it’s not yet, despite bumping the tail end of its allotted timespan on the calendar, I’m ready for cooler days, layered clothing and the finish of daylight saving.

As Mother Nature turns the wheel, I’m also conscious that my creative life is cyclic.  Ideas germinate and take root, projects blossom and come to fruition. There follows a dormant period while the seeds of new ideas drop from the cosmos.  Some take, some don’t.  Those that do start the cycle again.

This week I’ve not only been totally engrossed in and completed artwork for a swap with the Paper Traders group, but I’ve also rewritten, and submitted, a story to an online publication. Both the studio and the office are due for a tidy up after my creative storm.

Too often, I’m guilty of not following advice I give to other writers – keep sending out the work!  No one is going to read it if it’s mouldering in a drawer or taking up space on a hard drive.  Okay, so it might be rejected.  Rejection is part of life.  It’s okay to wallow in self-pity and regret – for a day, tops.  Then it’s time to research, find another publication, and send it off again.  Next time, it might reach the right publisher on the right day.  One can hope.  If there’s no hope, I might as well bury myself in the mulch with the fishes.

Besides, if our work is out there, that’s one less thing cluttering up our minds, if not our hard drives.  No need to feel guilty about a time of regrouping before the next creative storm.

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Printmaking on the Cheap

Print - Woodcut - Gorilla

Contemplation

Last year, while participating in an Arts Pathways course in Castlemaine, I fell head-over-heels, totally in love.  I became completely enamoured.  No, not with either tutor or fellow student, but with a process.  The process of printmaking.  I’d done lino cuts at secondary school, many, many moons ago (I still have the prints, would you believe?) but this was a whole new experience.

I learned direct printing, made collagraphs, discovered the techniques to produce intaglio and relief printing, tried my hand at a jig-saw block, and chine-colle, which is a printmaking/collage combination.  I loved it all – the designing, making the printing blocks , getting messy with and learning to use the ink, and discovering, by trial and error, how to work the contraption of steel platens and pulleys driven by a huge wheel, called a press.  But, what inspired  the most passion was wood blocks, the making of and printing from a piece of carved wood.

Perhaps  my affinity for nature influenced my love at first sight, of whirls and waves of  grain and the life-marks of once living trees.  Whatever it was, it had me hooked.  And, to indulge my passion at home, I didn’t need a press, just good old elbow grease.

I admit it.  I’m an odd bird.  A few years ago, I did some time travelling back to the past.  I bought and installed (with the help of a friend) a wood stove in the kitchen.  To feed the stove during winter, I bought a load of red gum mill ends.  Red gum is hard and burns hot, and, the mill ends delivered an extra bonus – a selection of mostly-flat shingles of varying size and thickness.  So sexy!  Perfect for making wood blocks.

Yes, I’d love some ‘real’ printmaking paper.  Yes, I’ll treat myself to some ‘real’ inks in the near future.  In the meantime, I’m making art with any paper I can find, oil paints, and firewood.  I’m loving it!

My printmaking kit:

  • An inexpensive  Speedball carving set – with five interchangeable tools
  • A 4 inch Speedball (soft) roller – the only size I could get locally at the time, and I wanted to play now!
  • A sheet of glass from a bung photocopier, to roll out the ink
  • A couple of woven coasters, leftovers from the eighties, I think, which are now my Barens
  • A set of discount oil paints – my old shool paints finally ran out…
  • A bottle of Homebrand baby oil, for clean-up
  • Last year’s phone book, also for clean-up and drying sheets
  • A pile of newsprint, brown, and drawing paper, as well as ‘found’ paper, and
  • A ready supply, at least until next winter, of flat-ish, if odd-shaped, red gum off-cuts.

It’s not a big list.  It’s certainly not an expensive list of items.  The most expensive item was the roller.  Well worth the seductive pleasure of printmaking.

My Process:

  • Be inspired by an idea – choosing which one is the killer!
  • Draw the design
  • Run to the wood shed and chuck shingles around until I find one of suitable shape and size
  • Sand the smoothest, flattest surface of the shingle with the electric sander.  Don’t take too long.  Perfection is over-rated and besides, the odd saw mark adds character
  • Blow off sawdust
  • Paint wood face with white acrylic (to ensure design stands out)
  • Blow dry – electric or mouth, with added semaphore in breeze for good measure
  • Ransack the office for the vintage carbon paper
  • Transfer design onto wood face, using said carbon paper
  • Get head around reverse effect of printing, as well as what goes and what stays on the wood face (still struggle with that one, at times)
  • Adjust design where necessary and shade in what will be carved away
  • On my mark, get set… carve!
  • When finished, shellac wood block to protect against soaking up ink, and coffee spills during passionate haste to get printing
  • Print.

Red gum is a tough wood and doesn’t lend itself to superfine detail.  The wood block for ‘Contemplation’ (above) is no bigger than a standard business-size envelope, and was carved mostly with the second finest v-tool.  Even so, it fascinates me that a couple of cuts can put expression into eyes.

After the carving comes the test – making the print.  When learning about ‘editions’ in printmaking, in my naivety, I figured Number 1 would be the most perfect print of the set.  Wrong.  Rarely have I been happy with the first strike from a block or plate.  Also, particularly when working with wood blocks, I need to make adjustments, a nick here and scrape there, until I get the desired effect.

At the moment, you’d be hard put to find the work table in the studio beneath all the drying prints for a new project.  No two are exactly alike – for me, one of the fascinations of printmaking.  Today, the hours have disappeared in a euphoric haze.  Now that’s living my bliss.

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